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    Home»POP»Chris Isaak: Bridgewater Hall, Manchester – Live Review
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    Chris Isaak: Bridgewater Hall, Manchester – Live Review

    AdminBy AdminJuly 8, 2026
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    Chris Isaak: Bridgewater Hall, Manchester – Live Review


    Chris Isaak – Bridgewater Hall, Manchester - 7/07/26 © Melanie Smith Chris Isaak | Skye Bishop
    Bridgewater Hall, Manchester
    7th July 2026

    American singer-songwriter Chris Isaak and his outstanding band bring timeless rock ‘n’ roll, effortless humour and world-class musicianship to Manchester’s Bridgewater Hall, leaving Claire Glover and Melanie Smith from Louder Than War completely captivated.

    Before Isaak takes to the stage, support comes from the hugely promising Skye Bishop, who has only recently turned 18. Accompanied by a talented acoustic guitar player, she has a distinctive and impressive voice, and she immediately commands the attention of the packed hall with her beautiful songs, including: Free, Love and Lonely. Floating across the stage barefoot, dressed in a beautiful, long, white silk gown, she speaks openly to the audience. Bishop explains that music is her sanctuary before introducing songs that reveal maturity far beyond her years. One of the evening’s highlights is a deeply personal song written about her grandfather, delivered with warmth, honesty and emotion. There’s no need for elaborate production; her beautifully clear vocals and heartfelt songwriting speak for themselves. It’s an impressive introduction to an artist who looks destined for success.

    Skye Bishop – Bridgewater Hall, Manchester - 7/07/26 © Melanie SmithThe Bridgewater Hall, Manchester’s internationally renowned concert venue, provides the perfect setting for Chris Isaak’s sophisticated brand of rockabilly, country, blues and classic American songwriting. Best known for timeless hits including Wicked Game, Blue Hotel, Baby Did a Bad Bad Thing, and Somebody’s Crying, Isaak proves why he remains one of the finest live performers around. His current touring band is exceptional. Mike Wynn on piano and accordion, JD Simo on guitar, Rowland Salley on bass and Chris Powell on drums. Collectively, they are astonishingly tight musicians, clearly enjoying every minute on stage, with the chemistry of a band that simply loves playing together.

    Isaak arrives looking impossibly youthful and dressed, as always, in one of his trademark sparkling suits. Before long, he has the audience laughing as much as applauding. His self-deprecating stories about the realities of “semi-professional show business” become running jokes throughout the evening. Thanking everyone for supporting live music, Isaak tells the audience that without them, there would be no band behind him. He jokingly introduces JD Simo by saying that people once predicted he would end up in jail before reassuring everyone that he’s been given “a second chance tonight”, prompting huge laughter across the hall. His between-song stories are every bit as entertaining as the music. He affectionately divides the entertainment industry into “professional” performers such as Taylor Swift and his own proudly “semi-professional rock ‘n’ roll show”, delivering every punchline with perfect comic timing. The humour never overshadows the music. Instead, it draws the audience even closer, creating an atmosphere that feels warm, intimate and wonderfully spontaneous despite taking place in a prestigious concert hall.

    Chris Isaak – Bridgewater Hall, Manchester - 7/07/26 © Melanie Smith Isaak leaves the stage after the second song to wander through the audience, greeting fans as he sings before making his way upstairs into the balcony, hilariously popping up on different tiers, fist bumping all he encounters, proving that every seat matters. It’s another reminder that this is a performer who genuinely connects with his audience rather than simply performing at them.

    Musically, the band is flawless. JD Simo delivers sensational guitar work throughout, while Mike Wynn’s tasteful keyboard playing adds richness to Isaak’s atmospheric sound. Chris Powell and Rowland Salley are also breathtakingly superb, providing an effortlessly tight rhythm section that allows every song to breathe. A particularly touching moment arrives when Isaak introduces bassist Rowland Salley, proudly explaining they have played together for 41 years. Describing Salley as a wonderful songwriter, Isaak introduces “Killing the Blues,” noting that Robert Plant and Alison Krauss recorded a beautiful version of the song that Salley performs with pride. Then, before a goosebump inducing Can’t Help Falling In Love cover, Isaak teases and encourages the audience to put an arm around someone they love. It becomes one of the evening’s many emotional moments. Just can’t help falling in love with Chris Isaak tonight

    Chris Isaak – Bridgewater Hall, Manchester - 7/07/26 © Melanie Smith Then there are the songs. Somebody’s Crying, Here I Stand, Forever Blue, Blue Hotel and San Francisco Days all receive huge reactions, but it is Wicked Game that completely silences the room. Isaak’s remarkable voice remains as expressive and effortless as ever, filling the hall with the haunting beauty and falsetto that has made the song a classic for almost four decades.

    The encore lifts the energy even higher. During Baby Did a Bad Bad Thing, Isaak invites ten women from the audience onto the stage to dance with the band, including Skye, who joins in on vocals too, creating an absolutely buzzing finale before launching into a harmonica-fuelled Shake Your Hips.

    Throughout the evening, every person in the audience seems to be moving and smiling. Isaak’s charisma, youthful good looks, remarkable vocals and effortless ability to combine humour with first-class musicianship create an experience that feels both nostalgic and completely fresh.

    Many artists can sing the songs. Few can entertain an audience quite like Chris Isaak. What a man! What a mighty fine man.

    Please note: Use of these images in any form without permission is illegal. If you wish to contact the photographer, please email: mudkissphotos@gmail.com | © Melanie Smith / Mudkiss Photos. All rights reserved

    Setlist: Beautiful Homes | Somebody’s Crying | Here I Stand | Diddley Daddy (Bo Diddley cover) | I Want Your Love | Wicked Game | Go Walking Down The |Speak of the Devil | Pretty Woman (Roy Orbison cover) | Forever Blue | Two Hearts | Baby What You Want Me to Do | Dancin’ | Killing the Blues | Can’t Help Falling in Love (Elvis Presley cover) | Blue Hotel | San Francisco Days| Lie to Me | Big Wide Wonderful World

    Encore: Baby Did a Bad Bad Thing | Shake Your Hips | Can’t Do a Thing (To Stop Me) | Black Flowers | Wrong to Love You | The Way Things Really Are

    ~

    Chris Isaak can be found at his website | Facebook | Instagram | X

    All words by Claire Glover. More writing by Claire on Louder Than War can be found at her author profile here. You can also find her on Twitter

    All photos by Melanie Smith – Louder Than War | Facebook | Twitter | Instagram | Portfolio

    A Plea From Louder Than War

    Louder Than War is run by a small but dedicated independent team, and we rely on the small amount of money we generate to keep the site running smoothly. Any money we do get is not lining the pockets of oligarchs or mad-cap billionaires dictating what our journalists are allowed to think and write, or hungry shareholders. We know times are tough, and we want to continue bringing you news on the most interesting releases, the latest gigs and anything else that tickles our fancy. We are not driven by profit, just pure enthusiasm for a scene that each and every one of us is passionate about.

    To us, music and culture are eveything, without them, our very souls shrivel and die. We do not charge artists for the exposure we give them and to many, what we do is absolutely vital. Subscribing to one of our paid tiers takes just a minute, and each sign-up makes a huge impact, helping to keep the flame of independent music burning! Please click the button below to help.

    John Robb – Editor in Chief

    PLEASE SUBSCRIBE TO LTW

    View Original Article Here

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